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James Watkins’ “Speak No Evil,” an American remake of the 2022 Danish film of the same name, is a slow-burn condemnation of overly polite culture; it’s filled to the brim with simmering discontent and knot-in-your-stomach discomfort.
Paris Hilton’s 18-years-in-the-making sophomore album “Infinite Icon” positions the media personality as the first influencer; it’s the next step in Hilton’s rebrand from a ditzy blonde who cannot even use a mop to a serious and intelligent activist and businesswoman.
“Killers of the Flower Moon,” Martin Scorcese’s latest entry to his storied film career, is a solemn tale about evil's openness and greed's overwhelming vice.
Released originally in 1993, “In Utero,” Nirvana’s third and final album, is best understood as a crystallized moment, a staunch triumph of the will against corporate culture that had bled the grunge movement dry.